Odin or Woden also hung on a tree, with the exception that his purpose for doing so was to find the “gnosis” taught by the shamanistic occult purveyors of this satanic occult doctrine. He thus became the god of trickery and stealth associated with the acquisition of wealth. This brings us back to the familiar cornucopia of Cernunnos as time unfolds the familiar pattern or logo of the satanic doctrines.

“As the sky-father Teiwaz, Tyr was the chief God of the Ancient Germanic tribes. In the later Norse religion his position as ‘Allfather’ was taken over by Odin. His loss of power is seen in the Old Norse language, where the name Tyr came to mean just ‘god’. Before Tyr was superseded, he was God of order and justice. The prose Edda says: ‘There is a god called Tyr. He is the boldest and most courageous and has power over victory in battle; it is good for brave men to call upon him’.

The god’s name probably means ‘shining’ or ‘resplendent’. The Anglo Saxon rune poem refers to the rune Tyr as a star that ‘keeps the faith well with nobles, always on course through the dark of night it never fails’.” (Emphasis mine) (Runes, by Nigel Pennick; Barnes and Noble, NY, 1999, pg.123)

“…although Odin was usually thought of as an old man and Mercury usually (though not invariably) as a divine youth. Both were regarded as guides to the underworld, helped their followers to gain treasure, and featured as cunning thieves, so that they both may be viewed as trickster figures…The Germanic Wodan (Odin) is thought by some to have been primarily the ruler of the land of the dead, whose cult came into Scandinavia comparatively late.” (The second parenthesis and emphasis mine) (The Lost Beliefs of Northern Europe, by Hilda Ellis Davidson; Barnes and Noble, NY, 1993, pg.48)

But, we find the same twist of truth in America as Tezcatlipoca (Satan) is also pictured as turning into a tree that also reaches to the heavens. With the difference that instead of the tree being composed of the plumes of the Quetzal bird, as Quetzalcoatl’s tree, it is composed of mirrors, an obvious symbol that brings the narcissistic philosophy of the satanic religion to focus that elevates the self above God.

The Wheel or the Sun, The Hammer, The Lightning Bolt, The Light, The Eagle, The Lion

At the other end of the spectrum from Cromm Cruaich and Cernunnos are the names of the gods, which initially represented the real God of the universe Jehovah, known as Dyeus to the Celts. These are modeled after the constellation Orion and are pictured as holding a club or hammer and sometimes a lightning bolt in their right arm. The gods of the hammer represent a benevolent god and invariably, where the gods of the hammer are found, the images of Cernunnos are not found; the inverse is also true. The hammer held on the right arm is a symbol of the power of “The Right Arm of God” to destroy His enemy.

“Transgression and denying the Lord, and turning away from our God, speaking oppression and revolt, conceiving in and uttering from the heart lying words. And justice turned back, and righteousness stands far away; for truth has stumbled in the street, and uprightness cannot enter. Yes, truth is lacking and he who turns aside from evil makes himself a prey. Now the Lord saw and it was displeasing in His sight that there was no justice. And he saw that there was no man, and was astonished that there was no one to intercede; Then His own Arm brought salvation to Him; and His righteousness upheld Him. And He put on righteousness like a breastplate, and a helmet of salvation on His head; and He put on garments of vengeance for clothing, and wrapped Himself with zeal as a mantle. According to their deeds, so He will repay Wrath to His adversaries recompense to His enemies… And a Redeemer will come to Zion… Arise, shine; for your light has come, and the glory of the Lord has risen upon you. For behold darkness will cover the earth, and deep darkness the peoples; but the Lord will rise upon you and His glory will appear upon you. And the nations will come to your light and kings to the brightness of your rising…And they will call you the city of the Lord, the Zion of the Holy One of Israel. Whereas you have been forsaken and hated with no one passing through, I will make you an everlasting pride, a joy from generation to generation. You will also suck the milk of nations, and will suck the breast of kings; then you will know that I the Lord am your Savior, and your Redeemer, the Mighty One of Jacob. (Emphasis mine) (Isaiah 59:13-18,20; Isaiah 60:1-3, 14b-16)

The horrific cost of lives exacted by the religion of the druids is innumerable; often after a military defeat the druids taught the Celts that the gods were implacable and in order to win favor, they would then sacrifice wives, children, the wounded, the weak and even sometimes a great leader would volunteer to be sacrificed. In these occasions the Celts would turn their own swords against themselves hoping that their sacrifice would ensure the future victory of the survivors. The dreadful talons of the enemy of humanity tears relentlessly at the flesh of ignorant men, but they are blind to the sham, because they have turned away from Dyeus Pater.

As part of their preparation for battle, the Celtic warriors would promise their gods a portion of their spoils and the human sacrifices of their enemies and for this reason the Celts never accepted ransom for their captives; even the captured animals were offered up in sacrifices of thanksgiving to their gods.

The druids did not, as a rule, have worship centers in the form of temples. They instead, preferred to practice their religion in the  “sacred grove oaks”. There was usually a clearing which contained a sacrificial stone in its midst, upon which all manner of sacrifices were performed, including human sacrifices.

“The earliest temples of the Gauls were sacred groves, one of which, near Massilia is described by Lucan. No bird built in it, no animal lurked near, the leaves constantly shivered when no breeze stirred them. Altars stood in its midst and the images of the gods were misshapen trunks of trees.

“Every tree was stained with sacrificial blood. The poet then describes marvels heard or seen in the groves.- the earth groaning, dead yews reviving, trees surrounded with flames yet not consumed, and huge serpents twining round the oaks. The people feared to approach the groves and even the priests would not walk there at midday or at mid-night lest he should then meet it’s divine guardian.” (Emphasis mine) (The Religion of the Ancient Celts, by J. A. Mac Culloch, Studio Editions, London, 1992, pg. 279)

Of course these “divine guardians” were not divine at all, but rather demonic tyrants, who exacted from the people a heavy toll in sacrificial blood. Thousands of lives were tortured and murdered by the Druids in the serpent’s corrupted version of religion. Everywhere in the world where the serpent was able to supplant the truth, with his promise of prosperity and power, humanity has paid a dear price in blood and misery.

The Serpent, The Wolf, The Raven or Blackbird, The Swine, Horns and the Cornucopia

For the most part, the Celtic pantheon of gods is synonymous to their Roman, Persian, Egyptian and Greek counterparts. Since the mythologies of the Ancients were all intertwined with the Zodiac, it makes perfect sense that there is an undeniable correlation in their commonality. Thus, their parallel aberrations from the original truth are also indicative of their common origin and of the common work of Satan among them to obscure the truth. But even more impressive is the correlation between the religions of the Old World and those of the New World separated by the Atlantic Ocean; the rituals and occult practices that developed as these deviated from the original true religion are uncannily similar.  Each of these cultures began with the truth and later corrupted the truth into a polytheistic system; this system was fairly uniform and then as time passed, small differences evolved in each culture. Here and there we find truly native gods, who arise in a specific locality, as demons continue in their perennial labor of creating further aberrations from the truth once held universally by the survivors of the Great Flood.

The names of these newly contrived gods, which in most cases is simply the name of the local demon, became assimilated into the previous pantheon being often times absorbed, under the name of a more prominent god, which may have been similar in character to that local god. For example local war gods may in many cases become epitaphs of Mercury or Mars, the prominent war god in Europe. There are some sixty names or titles of Celtic war-gods, which are related or generally equated with Mars. But, in all these cases there are distinct, common peculiarities, which belie the satanic origin of these gods; these are often associated with the snake or dragon and the crocodile in Egypt and Mayan cultures, the raven, the swine, the hare, the sea monster (hippopotamus in Egyptian and Hindu) and the wolf or they are universally pictured with the horns of a stag or a bull or a goat. Thus, continuing with the familiar motif of Nimrod, as the supposed deposer of God, when he donned the supposed head of the slain Divine Bull. Just as the basic character of the gods that describe the One and only True God have certain peculiarities in common; the gods that describe the person of Satan also possess similar familiar hallmarks. For example, such is the case for the universally popular theme of the corn-spirit, whether with the Celts in Europe or clear across the Atlantic in the North American Indian, or the god Cinteotl of Meso-America; this corn-spirit exhibits quite the same personality indicating that it has the same source as its genesis-Satan.

“The Latin word, Gallus means both ‘Gaul’ and ‘cock’.” — Gaston Bonheur, Notre Patrie Gauloise

“Each of them cuts off an enemy’s head and takes it back home. He then skewers it on a long wooden stave and sets this up so that the head sticks up far above the house, often above the chimney. They maintain that the head is put there as guardian of the whole house.” — Herodotus

“The Celtic women are not only as tall as the men, but as courageous” — Diodorus

Some time after Noah’s Ark alighted on Mt. Ararat of modern day Turkey in Asia Minor, some of his descendants settled just northeast of that area in the fertile steppes of Eurasia. Here, a tall and rugged people developed with the distinctive blonde and blue eyes, which became the peculiar hallmark of their culture.

These progenitors of the Indo-European people that are the descendants the Celts grew to occupy the area we now refer to as the Lower Volga region of Russia and as modern day Iran. Some have called these people the Ur people. From these ancient people related to the Hittites, which settled in the area of Anatolia and Upper Mesopotamia, controlling a vast area now called Turkey, and part of Iraq. Their capitol was the city of Hattusa and they thrived during the mid-third millennia BC. By the fifteenth century BC. The Hittites had grown so strong that they successfully challenged Egyptian supremacy in Syria and Palestine. Their empire was later destroyed in the thirteenth century BC.

The ancient Ur people, the progenitors of the Celts were located further east from the Hittites in the area we now call Iran and were initially an agronomical society. Immediately following the Great Flood, all the major cities had been destroyed and the relatively low number of inhabitant’s lent toward an agronomical society. It took some time before the population could grow to support a large city and the undertaking of expensive buildings and temples. As their numbers prospered cities sprung up and trade developed in a variety of services needed to sustain society. By this time, they had been prospering and growing in numbers for over 1000 years after the Great Flood. Growing restless some launched eastward toward India, and some headed westward through the European continent. From this central location they invaded eastward into the Indus Valley and conquered the native inhabitants, which had already settled there after the dispersion of the Tower of Babel, greatly influencing their culture and religion.

If the Sphinx is pointing to the constellation Leo, with its face and to the constellation of Orion, by the tilt of its body, then maybe the symbolism of the ‘man-lion’ is the same as that which is symbolized astrologically by ‘Leo and Orion’. That is to say, that Leo is one and the same as Orion (or Osiris the resurrected God creator of the Universe). Coupled with the fact that the Sphinx is clearly associated with both Osiris and Horus, I think we have here a clear prophecy of the return of the Messiah. I must here interject that the original astrological interpretation of the zodiac is not in any way to be construed with the corrupted occult version popularized by mystics today (See A Witness in the Sky) The cycle is complete for the ‘man lion’ when the man (Osiris) reaches its highest point in the ecliptic, and rises over the horizon in front of the Sphinx as the constellation Leo had done at the beginning of the count down. Then, the Lion of Judah will roar from Mt. Zion and Orion will come to destroy the impostor lion that has set up an impostor kingdom upon the earth. Orion will dash the kingdom of the antichrist and conquer the armies of all the combined nations of the earth in the great battle of Armageddon. He will gather his people from all over the face of the earth and establish His Millennial Kingdom, ruling from Jerusalem.

The “man-Lion” will rule the world and establish universal Maat.

The meaning of the sphinx may then be related to the meaning of both the constellation of Leo and the constellation of Orion, but there is yet another possible interpretation that may astound the reader, which simply adds more credence to this assertion.

The ancient Greeks, however felt that the Sphinx had the face of Virgo and some of the Sphinx found in Egyptian hieroglyphs also point to Virgo as the head of the Sphinx. Everywhere in Egypt one encounters the familiar female face in many Sphinx statues.

The Missing Capstone

Now, in considering the Pyramid of Gizeh, one cannot help but wonder at a very odd anomaly. In light of the great care and precision that went into the design and construction of The Great Pyramid, since the earliest records there has never been a capstone placed at the top of the pyramid. Hence, we must deduce that this was a deliberate act designed by the architects of this monument. Certainly earthquakes did not bring it down or the rest of the building would have fared no differently. No known natural process could remove the capstone, without damaging the rest of the pyramid. Oddly enough from the very ancient records there is no mention ever of the capstone being dismounted or stolen. It just, is never mentioned! What is so intriguing about this is that the capstone is considered the most prominent and important part of the structures in the other pyramids; the pyramid is not complete without it and the pyramidal shape is interrupted by the missing capstone.

Peter Lemesurier offers a theory on this matter and in this he is not alone:

“We should remember, to start with, that the capstones of the more illustrious Egyptian pyramids were often gilded to represent the sun-indeed, the slopes of the pyramids were often associated with the rays descending from it. If the builders of the Great Pyramid deliberately omitted to add the capstone to their symbol for planet earth, then that omission should conceivably an incomplete world as yet in darkness, and the deliberately reduced dimensions of the original pyramid as built add weight to the possibility.

There is some evidence in the ancient texts that the eventual addition of the capstone (and thus the completion of the pyramid to its full design) was seen by the initiates as symbolizing the return of light to the world in the Messianic person of the resurrected Osiris. This capstone = sunrise = Messiah notion is also present in parts of the Judeo-Christian scriptures, and not least in Jesus of Nazareth’s overtly Messianic assertions, ‘the stone which the builders rejected has become the chief cornerstone’.” (The Great Pyramid Decoded, Peter Lemesurier, Barnes and Noble Books, New York, 1977, page 21).

The Sacred Scarab, a symbol of resurrection, was found in great abundance in mummies of Ancient Egypt, either over the heart or on their forehead. Here he is depicted with the wings of Horus or the Hawk, an obvious interconnection.

The scarab begins the life cycle as a lowly worm groveling in the earth, and fettered to the ground. After reaching adulthood the worm enters a stage where a chrysalis is formed, a process that to the ancient Egyptian resembled a mummy. Within this chrysalis, through the biological wonder of metamorphosis the lowly earth groveling worm would change into the sacred scarab that could now take wing and leave its previous earth-bound habitat. A more fitting symbol of the resurrection could not be found. It is also I think significant that the wings characterized on the Scarab are not the actual wings of the beetle, but instead they are made to resemble the wings of Horus, the Hawk or Eagle.

There is in ancient Egyptian art a representation of Ra as Khepera, who was depicted as a man with the head of the scarab, holding the Ankh on His left hand and the scepter on His right hand. Like Atum-Ra, Khepera was credited with the creation of the universe. Khepera was also associated with the rising sun, or morning sun, an allusion to the resurrection from the Tuat. He was considered as the self-created eternal God, and this goes back into the very early days of Egypt, as he was associated, with the very concept of the resurrection.

Khepera is not a different god, as he was later considered; He is one and the same as Atum- Ra and Horus. He is the representation of Ra as the resurrected human Messiah. Therefore, the scarab was either surmounted on His head or He had the head of a scarab mounted on a human body. The symbolism of the scarab was widely known in ancient cultures and has been found in tombs of all ages in Egypt as well as many Mediterranean settlements including the Greek Islands, Phoenicia, Syria and elsewhere.

“Khepera was portrayed in Egyptian art as a beetle-headed man or as a man whose head was surmounted by a beetle, or sometimes simply as a beetle. The worship of the beetle dates back into the early days of Egypt…The beetle was usually identified as the scarab and was held as a symbol of resurrection…” (Who’s Who In Egyptian Mythology, by Anthony S. Mercante, Metro Books, NY, 1995, pg.83)

The River of Resurrection

Stretching some 4,000 miles from its source in Ethiopia to the Mediterranean Sea the Nile River is the longest river in the world. It was the source of life to the otherwise desert landscape of Ancient Egypt; it was the very symbol of life, death and resurrection. The land outside of the influence of the Nile was called “Deshret”, which means “The Red Land” and it is the word, from which we derive our modern word desert, depicting the barren and seemingless lifeless expanse of sand. The land immediately surrounding the Nile on the other hand was called “Kemet”, or “black land”, referring to the silt, which was annually left over the banks by the inundating Nile, which made it a fertile and productive farming area. The value of the land was determined by how much it was flooded, quite the contrary of our modern real estate concepts.

The name for Egypt in the Bible is “Mizraim” and comes from the Arabic word for red mud, “Mizr”. No doubt, this is also referring to the brother of Nimrod, who bore that name and who might have been somehow involved in the introduction of the serpent cult into Egypt. But, prior to the serpent cult the true religion of God flourished in Egypt and their many rituals and symbols attest to this.

“Every summer the low lying fields and marshes in the Nile Valley were returned to the conditions of the primordial waters as the river swelled from the summer rains at it’s Ethiopian and Sudanese highland sources; every autumn as the floodwaters drained to the Mediterranean Sea, the fields would emerge not as they had been before the flood, but coated in a fertile layer of new silt brought down by the river from higher up the valley to the south. In Egyptian terms each new occurrence repeated the ‘first time’ (The Zep Tepi), when the waters receded to reveal the first shallows out of which a lotus-flower could bloom… and then the first dry ground upon which the sun god could find solid ground to rest… The ground itself was conceived as a lump of rock named the benben-stone, a word connected to weben, ‘to shine,’ and used as the image of the pyramid, its capstone the pyramidion and the pyramidal tip of the obelisk…The sun god emerged either from an egg, a transparent and evocative metaphor for new life, or as the bird named benu, also from the kernel of the words around weben and resembling a heron; the benu - heron appears to be part of the inspiration of the classical tale of the phoenix, a fabulous bird that was born from the ashes after a fixed number of years, again carrying the message of resurrection guaranteed by the sun.” (Ancient Egyptian Religion, Stephen Quirke, Dover Publications, NY, 1992, pg. 26, 27) (Emphasis mine)

The hawk and eagle represent the Messiah figure throughout the world.

Interestingly there is a great deal of convergence in the religious symbols of all ancient cultures throughout the entire planet. Horus, which is their Messiah figure in Egypt, is depicted as a falcon or eagle. The hawk and eagle are the natural enemies of the snake and so we see here in the cosmology of the Egyptians the same messianic parallel found in the Mayan Quetzalcoatl. Ancient man everywhere knew that in the last days the Eagle shall defeat the Snake and this knowledge is not solely particular to these two cultures; it is the universal theme depicted in the history of all the ancient cultures and it was depicted in the zodiac even before the Great Flood. The native North Americans called the Eagle the Thunder Bird. What does an eagle have to do with thunder? The answer is that in all ancient cultures the god associated with the lightning bolt or thunder was associated with the Messiah figure, for even the Scriptures declare that He shall come from the east as a lightning bolt in the sky. The lightning bolt associated with thunder was thought by ancient man to come from the sun, a ray from the sun, which was the symbol of God. It is therefore an analogy, which illustrates the fact that the Messiah comes from God. The Thunder god of the ancient Britons was Teiwaz, which was variably known as Thor in Scandinavia, and He therefore wielded a lightning bolt and a hammer to produce the sound of thunder. Teiwaz was simply a linguistic derivative of the ancient name of God as Dyeus Pater, the Sky Father of the ancient Indo-European people from which the Celts descended. And the Celtic Messiah figure, Lug, after hanging on a tree dead, was revived by God turning into an eagle afterwhich He ascended into heaven. Hence we find that the eagle and the lightning bolt and thunder are characteristics deployed to the One True God.

There is clear evidence that the earliest Egyptians had an, as of yet, uncorrupted view of God and the role of the Messiah in history. Archaeological evidence in the tombs of the Pharaohs of the First Dynasty royal necropolis Umm el-Gaab at Abydos depict Horus as the central figure of veneration, as time passed the Seth figure was elevated to a higher stature and eventually both were abandoned in the shadows of the single corrupted emphasis for the worship of the sun as Ra. But, Horus is known as the power of the resurrection and this is documented from the very earliest time.